The gentle sunshine is waking up my little grey cells. I want light, I want bright, and I want inspiration. Hello Saatchi Gallery. The Saatchi suits spring more than any other gallery in London. Even without windows the gallery spaces remain wide open and uplifting, oh and they have some art in them to. So to share the Spring love, I thought we would have a mini art adventure, three days of works hunted from the Saatchi Gallery. Starting today with Wounded Deer (2012) by Gosha Ostretsov, above.
Here is what my sparking little grey cells had to say…
Apart from the very clever placement of the iron arrow, my favourite part of the sculpture is the silver ball underneath its hoof. Is it about to trip? Is it about to score a winning goal? Is it representative of the millions who worship it as a god and who it eventually intends to crush?
The head was temptingly touchable. It reminded me of some of the classic Roman marble sculptures, with a texture that calls out for fingertips.
One of the things that entertains me in galleries is imagining the art in another context. I could perfectly see the Wounded Deer left amongst the wildlife in Richmond Park, with creepers slowly chaining it to the ground.
It takes quite a bit to surprise me in an art gallery, call it a by-product of spending London’s endless winter hiding in them. But Laure Prouvost’s new show (currently on at the Whitechapel gallery) did just that.
Walking in you see these odd shapes along the walls, no two the same. They look like they belong in an evil dentists surgery – dark shapes all holding out an upward facing mirror. And on each mirror is a handful of raspberries.
At first glance I thought they were either fake or real fruit that had been varnished. But on closer inspection the imperfections were just too perfect, they were real berries.
Because I was cold and hungry I was not at my most intelligent so when I approached the gallery attendant all I managed to say was “um…raspberries”. But she got the question, and said that the raspberries were replenished daily and I was more than welcome to try one.
I walked closer to the sculpture and reached out (as previously mentioned I was very hungry). But something stopped me. IT’S ART YOU CAN’T EAT IT YOU HEATHEN.
Damn that inner art critic, it stopped me getting one of my five a day.
There is a new Louvre in town and I can’t wait to visit. They have built a satellite Louvre in Lens, a town in northern France – and this baby is one punk ass little brother.
The architecture could not be more different from Louvre Paris. Where Paris is based in the frighteningly ornate Palais du Louvre, Lens is a shiny cow shed. It is one long room with reflective aluminium walls – walls that you are not allowed to hang any art from. I can just imagine that concept meeting, where the architect enthusiastically talked about this sardine tin. At some point the gallery manager must have quietly asked “but where will we put the art”.
Well, the art sits on plinths scattered across the room. They are arranged along the length by time and across the width by geography. Obviously a lot of thought has gone into this baby, but I just don’t know how I would respond to it.
Although it does give you great access, I have the sneaking suspicion that I would get tired of walking in constant circles while trying to admire the art. But then again, since I would be making a special trip to Lens just to see it I would have all the time in the world to wander.
Take a look at the gallery here.
I am always after sneaky sneaky ways to see art on the cheap. In the UK most of the major galleries are free, but all the special exhibitions (i.e. all the interesting ones you want to see) have a charge. So, introducing the National Art Pass, run by the Art Fund charity.
For £18.75 (under 26 and pay by direct debit) you get:
– Free entry to over 200 museums, galleries and historic houses
– 50% off many major exhibitions
– Art Quarterly
– Exclusive shop, café and catalogue offers
– Special events, such as lectures, visits and private views
I know it seems like a bit to spend, but let me show you the exhibitions I am going to go to before I ‘break even’
1. Pre-Raphaelites: Victorian Avant-Garde @ Tate Britain – £14
2. Turner Prize 2012 @ Tate Britain – £10
3. A Bigger Splash: Painting after Performance @ Tate Modern – £10
4. Seduced by Art: Photography Past and Present @ National Gallery – £12
With the National Art Pass I only pay half price for the above four, which means I save £23 – more than the cost of the card. And that is only two weeks of art going for me. I have an entire year of fabulous art discounts to look forward to.